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Synops is Do- seong (Yoo Min) is a child monk who lives at a small mountain temple with the he ad monk ( Byeon Ki-jong), learn ing the teachings o f Buddha. He becomes attached to a you ng widow (C hoi Eun-hee) who comes to pray at the temple, and the childless wid ow en treats the h ead monk to let her raise Do-seong as her own s on. Conflict ensues w hen Do-seong 's real mother (Kim Seon-young) appears, but she leave s the temple for the sake of her son's future. On the da y the widow is to take the child down from th e mountain, the head monk d iscovers that Do-s eong has killed a bird by ensnaring it in a tra p and decides not to let the boy go into the secul ar worl d. When Do-seong fi nds o ut t hat his real mother has been to the temple, he se ts ou t to find her. Notes &qu ot;A film that has garnered recognition fo r its c inemato graphy and direction by eliminating sentimenta lity and unaffectedly capturing the qui et li fe of a mounta in temple. A Hometow n in Hea rt demonstrates t he camera tec hniq ue and directorial skill o f movie s that app eared after the lib eration of Korea.& quot; A H ometown in Heart, ada pted fr om playwr ight Ham Se-deok& #39;s A Little Mo nk (Do ng-seung), was hailed up on its r elease as "a masterpie ce that marked a new pinnacle in Korean moviemakin g after the li bera tion." Eschewing new-s chool sentimentality to quietly ex press a boy 's longi ng fo r maternal love, the film unfolds the everyday lives o f three gener ationsthe head mo nk, a young monk, and a little ch ild monkagainst the b ackdrop of a quie t temple in the mounta ins. The long shots ut ilized by direct or of ci nematography Han H yung-mo to capture the b eautiful scenery o f the mo untain t emple fro m a distanc e received great critical a cclaim at the time. Also, each of the film' ;s chara cters is convinc ingly portrayed through the sk illful direc tion of Yoon Yong -kyu. In partic ular, the sc ene which expresses Do-s eong 9;s de sperate ye arning for a mother9;s love and his bir th mother's past visit to the temple by combining them into a dream sequence reveals d eep consideration for articulating story and emotion via a compresse d visual grammar without tending toward se ntimentalism. The movie's final s cene, in which Do-s eong awakens from his dream and sets o ff down the pat h in search of his mother, is both touchin g and beau tiful. The f ilm a lso f eatures Ch oi Eun-hee, in the pa rt of the young widow who wa rmly emb race s Do-seon g with her love, in one of her first roles. Af terword: - Lee Kang-su, writing under th e pseudonym of Kwak Il-byeong, first ada pted play wright Ham Se-deok' ;s A Little Monk (Dong-seung) into a screenplay, wh ich was t hen sho t for the s ilver screen with ad ditional embellishme nts by t he director. 宁知意点头，“他现在 每次来，都是 从这里进。”说到这里，她想 到什么， 现场给她复制了一枚玉简，“陆望老祖参 与了仙上楼三百六 十八家的禁制改造，他在 各店都弄了一个随机传送阵 ，你记住各 店传送阵的位置 ，以后出门遇到危险， 寻就近的仙上楼， 百里内随时可定位传送。”
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