剧情：
The issue of War widow re presentati on in Israel i cinema is one of the most complex for the loca l in dustry for it s eems to be unique and with a very local and specif ic i conograph y. The w ar Widow is a d ifficult charac ter to digest. Becau se this is an especially painf ul to pic in Israel, its mode of representat ion is almost al ways proble matic. Gila Almagor in Tofano's "siege" is on e of the fir st char acters of th e &q uot;modern&quo t; war wi dows t o appear on Israe li cinema screens. The human and social co mplexity of the status of wido ws was not rep resented adequatel y and personally until her complex and fine appearance in this film. It was mostly Precede d by cl iches of h eroic w omen who ha ve sacri ficed f or the na tion with characters to which it was very difficult to get attached, nor to their personal grief. ";Siege" was directe d by an unknown Italian director of that period. Although Gilbert o Tofano was brought as a professional director on the wings of inspir ation made by the French New Wave of th ose year s, he managed to tur n out a v ery exciting work which has caug ht the Israeli wa rmth and sense of social siege which surr ounds the Israeli w idow s, including the gr eat expectations from them and the social stigmas. T ofano wrap ped hi s le ading lady wit h lots of warmth and gave a p lace of honor to Almagor's impressive presenc e in the film. Thi s is without a doubt one of Almag or' s best and most acc urate p erforma nces. T he restraint in her performance p lus t he shooting and expr essive use of angl es by Tofano an d his soft European touch which was far off f rom the agg ressive local product managed to produce a sense of documenting an a uthent ic tragedy with a tangibl e personal touch that m inimized th e national dimension. The res ult stands the test of time proudly several decad es a fter its creatio n. 安画有些意兴阑珊地摘下 一个储物戒指，“驻地里的传送宝盒被洪叔带走了，这件事，我已经给你们在天音嘱秘密留言了，所以，他那边失却的东西，我管不了，这里的 ……是我们收集 的各方资料，你好好 看，也许对你有用。 ”
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