剧情：
The issue of War widow r eprese ntation in I sraeli cinema is one of t he most compl ex for the local in dustry for it se ems to be u nique and with a very local a nd specific iconography.< br/> The war Widow is a difficult character to digest. Because this is an especi ally painful topic in Israel, its mode of represen tation is a lmost always pr oblemati c. Gila Al magor in Tofa no's "siege" i s one of the first char acters of the "modern&q uot; war wid ows to app ear on Is raeli cinem a screens. The human and social complexity of th e st atus of widows was not represen ted adequately and p ersonally until her complex an d fine appearance in this fil m. It was m ostly P receded by cliche s of heroic women who have sa crificed fo r the nation with characters to whi ch it was very difficult to get attached , nor to t heir persona l grief. " Siege" was dir ected by an unknown Italian d irector of t hat p eriod. Al though Gilberto Tofano was brought as a professional director on the win gs of insp iration made by th e Fren ch New Wa ve of those y ears, he managed to turn out a very exciting wo rk whic h has caught the Isr aeli warmth and sense of soc ial siege which surrounds t he Israe li wid ows, including the great expectations from them and the social stigmas. Tofano wrapped his le ading lady with lot s of warmth and gave a place of honor to Almagor';s impressive presence in the f ilm. This is without a d oubt one of Almagor 's best and most accurate perf orma nces. The restraint in her performance plus the s hooting and expressive use of angles by Tofano a nd hi s so ft Eur opean touch which was far off from the aggressive local produ ct managed to produ ce a sense of document ing an authe ntic tragedy with a tangible personal touch that minimize d the national dimensio n. The res ult stan ds the test of time proudly sev eral dec ades after its creation. 安画轻叹了一 口气，“她在我的面前，从来没有放开过，哪怕喝水，也小心翼翼地只沾个唇。她和夏正明确关系以来 ，表面上，纯阳宗是得了丹堂的一些照应，但是， 以她和夏正的关系 ，如果有心，元一百灵丹与骷髅蝗的真正 关系，我觉得，完全可以弄来。”
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