导演：
主演：
上映：
未知
备注：
HD中字
剧情：
转自：http: //www.filmlinc.com/ny ff/2010/vie ws-from-t he-avant-garde-friday-oct ober-1/view s-from-t he-av ant-garde-j ean-mari e-straub “The end of paradis e on earth. ”—Jean-Marie Strau b The 33rd verse and l ast chant o f “paradise ” in Dante ’s Divi ne Comedy. T he f ilm starts with verse 67 , “O somma l uce…” and continues to the end. “O Somma l uce” recal ls the first words uttered by Emped ocles in Danièle Huillet a nd Jean-Marie S traub’s 1 987 The De ath of Empedocl es—“O himmlisch Licht!…” (O he avenly l ight !). This extract f rom Höl derlin’s text is al so inserte d into their 1 989 film Cézanne. “O so mma luce” invokes u topia, or b etter still “u-topo s,” Dante, H olderlin, Cézanne… the camera movemen t, recalling Si syphus, in the film’s long shots, sug gests its difficulty . In O somma luce, w ith Giorgio Passerone’s Dante and the verse that concl uded the Div ine Comedy, we find at the extremity of it s po ssibiliti es, the almost hap py speech of a man who has just left eart hly par adise, who tries to f ully realize the potential of hi s nat ure. Betwee n the two we find the story of the world. T he fi rst Jean-Marie Straub f ilm shot i n HD. So singul ar are the textual working methods of S traub -Huillet, and now Straub on his own, that it is hard to grasp how far re aching they are. Dire ction is a matter of words and s peech, not emotions and action. Noth ing happens at the edges, everyt hing is at the core and shines from there alone. During the rehears als we sense a slow process by whi ch ingredients (a text, actors, an int uition) progress tow ards co hesiveness. It is, forgive the compari son, like the kneading of dough. It is the assembling and work ing o f somet hing until it becomes somethi ng else… and, in thi s cas e, starts to shine. Actuall y it’s very simple, it’s just a ques tion of opening up to the li ght material that has been sea led up. Here, the process of kneading is to bring to l ife a nd th en reveal. The material that i s worked on is speech. So it is speech that becomes vi sible— nothing else. “Lo gos” comes to the cinema. The m ise e n scène of w hat words ex actly? T he pr ocess of rev ealing, “phainestai”; “ph ainomenon,” the phenomenon, is what take splace, what becomes visible to t he eye . Is “ Stra ubie” G reece? This mise e n scèn e of speec h, which goes beyond a c lose reading of the cho sen text, is truly comes from a d ista nt source.—Barbara U lrich 陆灵蹊搂住小家伙时，心里软软的 ，“我们也好想你，放心 ，爷爷会上来的，青主儿和葵葵也会上来的， 以后还会有敖象、小贝他们，对了， 他们也有礼物给你噢，神神秘秘地 封着，也没让我看，回头你瞅 瞅，要是宝石什么的，也分我两块玩。”
收起
