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Magd alena and Maria are two twin sisters who we re sepa rated at birth and k now nothing of the other’s exis tenc e. Mari a runs aw ay f rom the boa rding s chool i n which s he was brought up and f inds work as a cabaret per former in the cafés of Ma rseilles. Magdalena lives with her adopted par ents and works in an art gallery. The two sist ers are joined b y an invis ible bond which draws them towards the same tragic conclusion. Director Werner Schroet er has acquired a re puta tion as an e xperi mentalist filmma ker, hail ed by some as a n underrated genius, revile d by others for being a peddler o f se lf-in dulgent kitsch. Deux is arguably Sch roeter’s mos t ambitious, unsettling and repulsive work to date. The directo r cer tainly wastes no time in ali enating his audienc e; fro m the first ten min utes of the film it is cle ar this is not going to be an eas y ride . The nar rative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantas y dream se quences, per iodica lly shocking the specta tor with graphic images of lesbian sex and a woman bei ng slowl y dise mbowel led. Having several a ctors playing mul tiple parts only adds to the sens e of artifice and utte r confusion, which is a pity as there is manifes tly a lot of great actin g talen t on show – not least of w hich is Isabelle Huppert. T he film’s sheer relentless g rotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly prov ocati ve, that it is hard to take any of it seriously . 说到这里，她把她在幽古战场好 不容易拍来的宝物拿出，“师父，这是我们在大拍卖会上拍 到的春月莲子，一共有四十 九枚，听云天海阁的朋 友说，他们的 宗主，以 前就服用过不少春月莲子，您试试看，有 没有用，如果有用，我们以后多替您留意着。”
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