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Accordi ng to Giorgio Vasari, t he first art histor ian, t he Renai ssance w as centr ed on a revival o f int erest in class ical art that b egan and flour ished in Ital y. Wald emar di sagree s, and accuses Vasar i of errant jingoism. In fact, th e most significan t early deve lopme nts in Renaissance art took place no t in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissa nce as a return to classica l models, we should see it as a climax of medieval val ues - an ep och of hu ge rel igious passion s and powerful h uman emotions. The se ries will c elebrate material that is new to televisi on. Wa ldemar will include art that is no t usually thought of as Renai ssance art. This will involve 9;re-class ifying' what is sometimes called L ate Gothic , and showing it off as a marvellous and native artistic tra dition, particularly in the remarkable field of polychrome scu lpture . On top of all the new art to b e intr oduced, Waldemar will also look from fresh an d intriguing angles at many of the e stablished Renaissa nce giants, including Michelangelo in the Vatican, Leo nardo in the Louv re, Bot ticelli in the Uffizi an d Van Eyck i n Gh ent. 宁知意点头，“他现在每次来，都是从这里进。”说到这里，她想 到什么，现场给她复制 了一枚玉简，“陆望老祖 参与了仙上楼三百六十八家 的禁制改造， 他在各店都 弄了一个随 机传送阵，你记住 各店传送阵的位置 ，以后出门遇到危险，寻就近的仙上楼，百里内随 时可定位传送。”
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