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《自拍》 是16岁的戴维德·比福尔 科(DavideBifolco)一案的独特记录,他在特雷亚 诺的那不勒斯(N eapolitanD istrictofT raiano )被一名宪兵射杀。为了了解一个经常被描绘成贫民区和“卡莫 拉”据点的街区,以及 戴维德死亡 的情况,导演Ago stino Ferrente寻找戴维德的朋友,并会见了Pietro和Alessand ro。在这部电影的序言中,有人 听到他在 摄影机前问,“告 诉我你的友谊”,这揭示了他对这个 一贯合作的纪实小 说项目的态度。他让孩子们带上手机和麦克风,把他们 的日常生活记 录成一部“自拍”电影,无论他们是 骑着摩托车,在海滩上,和朋友一起玩, 还是在厕所里。在一个自我戏剧化经常成为产品的时代,这是一种完美的形式 。其结果是一幅令人印象深刻的拼贴画,无论是视觉上还是在电影的音轨上,都是关于青春期;关于你的背景决定你未来的生活;关于国家专制; 关于愤怒和悲伤,但最 重要的是,在一个坚韧统治的男性世界里,一段 温柔的童年友谊。 Se lfie is a unique record of the case o f 16-year-old Davide Bifolco, who w as shot d ead by a carabiniere in t he Neapol itan district of Tr aiano. To un derstand a n eighbour hood often portrayed as a ghetto and ‘Camorra’ stronghold, as well as the circumstances of Davide’ s death, director Agost ino F errente seeks out Davide’ s friends and meets P ietro and Al essandro. In the fil m’s introduction he i s heard asking off-c amer a, ‘tell me about your friend ship’, w hich revea ls his approach to this consistently collabor ative documen tary-fictio n project. Equipping the boys with a mob ile phone and a mi crophone, he asks them to document their ev eryday lives as a ‘selfie’ f ilm, whether they are r iding a scooter, at the be ach, han ging out with friends or on the toilet. This turns out to be the pe rfect form at in an age wher e self-dramat isation often becomes a product. The result is an impr essive collage, both visual ly and i n the film’s audio track, about adolescence ; about live s where your background de termines your future; about state despotism; about anger and grief, but abov e all about a tender bo yhood friendship in a male world in which toughnes s reigns. 好半晌 ,他才放下玉简抬 头看向陆灵蹊,“有这事。”他站 起来,走向另一边的玉架,从上面拿了一枚蓝玉制成的玉佩,“当初主人觉得,佐蒙人不会放过天渊七界飞升的一切生灵,但是人族寿元就那么多,人心 复杂,他没办法因势力导 ,但是妖族却可以。”
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