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When Rosa is expected t o hand her boss the su ntan lotion on a deer hu nt, this feels like a sign. Do n Reynaldo’s ranch is about to celebrate i ts far m anniv ersary, but this passio nate hu nter’s im age is buil t on a lie. And so, here in the countryside, whe re men are men, employees are grateful subjects an d women dili gently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. O rdered around day in and day out, unnotice d by those in h er class-co nscio us surroundings, the menial Rosa g raduall y be comes an agent of change. Whil e Don Rey naldo’s extended family con torts itself in a bid to save the old ord er, men begin to a rrive at th e fa rm in pickup trucks. Their appearance at the feast and a thr eat are enough t o make the ageing patriarch fear for his l ife and his family – a nd fo rce him to act. All that passes i s observed by the animals w ho, either as trophies on the wall or as livestock out to pastu re, seem to sense the end of an old heg emony. With a keen sense of ho w to deploy omen s that hera ld change, A lejandra Márquez Abella por trays an epochal shift in rural Me xico – as seen by characters who are usua lly relegated to passive su pporting role s. 此时，球中的陆灵 蹊在小小 的水镜中，清楚地看到了外 面的一切， 她小心地戳了戳 蓝玉板上的另一个好像半圆的符 文，腰间 一股柔力袭来，把她挤到一 边，一张好像全由小网织成的东西，从两端连结到到一起，看 着……似乎是可以躺 的。
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