帝国[电影解说]

帝国[电影解说]

帝國[電影解說]

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  Short film Empire is based on a rad io drama Sorry, Wrong Numbe r by the  American  writer Lucille Fletch er. Actu ally, Sokurov draws on a single  theme formi ng the backgrou nd for t he story of  the thrille r — the  woman's illness… The h  eroine  is bed–ridden and her only mean s of commun ication with the o utside  world is her telephone — until a killer interrupts  the c onversatio n…   Sokurov r emoves all the dialogues, leaving us alon  e with the h eroine — “a living skel eton” amon g the refined,  wit h a tou  ch of Moder n–styl e, fu  rnishings —  who is l istening to  a radio bro  adcasting of Tra viata, with  its pleas f or mercy and love. An elegant coff in–home is the spatial  centre and symbolizati on of th e entire fi lm. And insi de the coffin we certainly see the a ctress — the famous Russian baller ina A  lla  Osipenko who plays not only the heroin e but a  lso her own self.  This m etaphor ic ci nema–i  mage bea  rs an allusion t o the great “handica pped” Sarah Bernhardt who was r  eporte  d to sleep in a coffin, as well as to the entir e complex of  aesthetised Decade nce, c onvert ing an apology of Deat h into a lifestyle. Here i  s the  key to the  code of the title. Empi re i s a  style that  attempt  ed to reanimate the dead ancien   t harmony.  The heroine of Sokurov's film  communicates with her phone as the only partner, and sort of interferes with t he beyond, attracting  this air —  intangible yet saturated with dang er. It is from the radio  air that  she accumulates both pleasure  and tranquillity — the aria of dying   yet  beloved Vio letta, w hile the k iller 's silhouette materializes from the ph  one air. A ch amber pot, overt  urned and spilt by the killer in haste, remains the only evidence of human activities in t  his bou doir of Death. Sokurov9;s metaphor, clad in naturalistic de tails, pro duces  the effec t of iro nic di sclosure: “a  wet spot” is left after a symbol.  The film was shot  as a  study  work of a VGIK student S.Sidorov. At that time Sok urov did   not  have a chance  to launch a  project of h is own, therefore he used this poss ibilit y to wo rk. Visual conc  eption of this fil  m anticipat es a considerable  number of Sokurov' s future e xperiments : light that  models the spa ce, l evelling o f colours,  correlat ion of contrastin g tex tures.    想到那 个神出鬼没的东西,印颜的心又剧烈跳动起来,“ 本来,昌长老感觉能按住那条大尾巴, 可是,不知 怎的,它突然又厉害起来,然后, 那小冥兽,好像鬼魅一般,借着地利,连着抹了西才他们的脖子  ,昌长老没办法,才完全放开了 身体的封印。” 收起

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